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Others have argued that the film is itself a metaphor for filmmaking , and that the filmgoing experience itself, images flashing before one's eyes in a darkened room, is akin to a dream.
Writing in Wired , Jonah Lehrer supported this interpretation and presented neurological evidence that brain activity is strikingly similar during film-watching and sleeping.
In both, the visual cortex is highly active and the prefrontal cortex , which deals with logic, deliberate analysis, and self-awareness, is quiet.
This demand of production parallel to consumption of the images, on the part of the audience is analogous to dreaming itself. As in the film's story, in a cinema one enters into the space of another's dream, in this case Nolan's, as with any work of art, one's reading of it is ultimately influenced by one's own subjective desires and subconscious.
Nolan combined elements from several different film genres into the film, notably science fiction, heist film , and film noir.
Marion Cotillard plays "Mal" Cobb, Dom Cobb's projection of his guilt over his deceased wife's suicide. As the film's main antagonist, she is a frequent, malevolent presence in his dreams.
Dom is unable to control these projections of her, challenging his abilities as an extractor. As a "classic femme fatale" her relationship with Cobb is in his mind, a manifestation of Cobb's own neurosis and fear of how little he knows about the woman he loves.
Nolan began with the structure of a heist movie, since exposition is an essential element of that genre, though adapted it to have a greater emotional narrative suited to the world of dreams and subconscious.
While a traditional heist movie has a heavy dose of exposition at the beginning as the team assembles and the leader explains the plan, in Inception this becomes nearly continuous as the group progresses through the various levels of dreaming.
In this way, exposition takes precedence over characterization. The characters' relationships are created by their respective skills and roles.
Ariadne, like her ancient namesake , creates the maze and guides the others through it, but also helps Cobb navigate his own subconscious, and as the sole student of dream sharing, helps the audience understand the concept of the plot.
Nolan drew inspiration from the works of Jorge Luis Borges ,   including " The Secret Miracle " and " The Circular Ruins ,"  and from the films Blade Runner and The Matrix The film cuts to the closing credits from a shot of the top apparently starting to show an ever so faint wobble, inviting speculation about whether the final sequence was reality or another dream.
Nolan confirmed that the ambiguity was deliberate,  saying, "I've been asked the question more times than I've ever been asked any other question about any other film I've made What's funny to me is that people really do expect me to answer it.
And we—FADE OUT". That always felt the right ending to me—it always felt like the appropriate 'kick' to me The real point of the scene—and this is what I tell people—is that Cobb isn't looking at the top.
He's looking at his kids. He's left it behind. That's the emotional significance of the thing. I'm the guy who invented the dream.
Mark Fisher argued that "a century of cultural theory" cautions against accepting the author's interpretation as anything more than a supplementary text, and this all the more so given the theme of the instability of any one master position in Nolan's films.
Therein the manipulator is often the one who ends up manipulated, and Cobb's "not caring" about whether or not his world is real may be the price of his happiness and release.
Warner Bros. Although Inception was not part of an existing franchise, Sue Kroll, president of Warner's worldwide marketing, said the company believed it could gain awareness due to the strength of "Christopher Nolan as a brand".
Kroll declared that "We don't have the brand equity that usually drives a big summer opening, but we have a great cast and a fresh idea from a filmmaker with a track record of making incredible movies.
If you can't make those elements work, it's a sad day. Chris [Nolan] really likes people to see his movies in a theater and not see it all beforehand so everything that you do to market that—at least early on—is with an eye to feeding the interest to fans.
A viral marketing campaign was employed for the film. After the revelation of the first teaser trailer, in August , the film's official website featured only an animation of Cobb's spinning top.
In December, the top toppled over and the website opened the online game Mind Crime , which upon completion revealed Inception ' s poster. The official trailer released on May 10, , through Mind Game was extremely well received.
Inception and its film trailers are widely credited for launching the trend throughout the s in which blockbuster movie trailers repeatedly hit audiences with so-called "braam" sounds: "bassy, brassy, thunderous notes—like a foghorn on steroids—meant to impart a sense of apocalyptic momentousness[.
Inception was released on DVD and Blu-ray on December 3, , in France,  and the week after in the UK and USA December 7, With a production run of less than 2,, it sold out in one weekend.
In a November interview, Nolan expressed his intention to develop a video game set in the Inception world, working with a team of collaborators.
He described it as "a longer-term proposition", referring to the medium of video games as "something I've wanted to explore".
Inception was re-released in theaters for its tenth anniversary, starting on August 12, , in international markets and on August 21 in the U.
Inception was released in both conventional and IMAX theaters on July 16, The website's critical consensus reads: "Smart, innovative, and thrilling, Inception is that rare summer blockbuster that succeeds viscerally as well as intellectually.
Peter Travers of Rolling Stone called Inception a "wildly ingenious chess game," and concluded "the result is a knockout.
In its August issue, Empire magazine gave the film a full five stars and wrote, "it feels like Stanley Kubrick adapting the work of the great sci-fi author William Gibson [ Escher or a state-of-the-biz video game; the backwards splicing of Nolan's own Memento looks rudimentary by comparison.
It's a breathtaking juggling act. Michael Phillips of the Chicago Tribune gave the film 3 out of 4 stars and wrote, "I found myself wishing Inception were weirder, further out [ With Inception , viewers have a chance to see that notion get a state-of-the-art update.
If you're searching for smart and nervy popular entertainment, this is what it looks like. That's a tall order.
But it's refreshing to find a director who makes us stretch, even occasionally struggle, to keep up.
Not all reviewers gave the film positive reviews. New York magazine's David Edelstein claimed in his review that he had "no idea what so many people are raving about.
It's as if someone went into their heads while they were sleeping and planted the idea that Inception is a visionary masterpiece and—hold on I think I get it.
The movie is a metaphor for the power of delusional hype—a metaphor for itself. Scott of The New York Times commented "there is a lot to see in Inception , there is nothing that counts as genuine vision.
Nolan's idea of the mind is too literal, too logical, and too rule-bound to allow the full measure of madness. While some critics have tended to view the film as perfectly straightforward, and even criticize its overarching themes as "the stuff of torpid platitudes," online discussion has been much more positive.
Several critics and scholars have noted the film has many striking similarities to the anime film Paprika by Satoshi Kon and Yasutaka Tsutsui 's novel of the same name , including plot similarities, similar scenes, and similar characters, arguing that Inception was influenced by Paprika.
Inception appeared on over critics' lists of the top ten films of , being picked as number-one on at least 55 of those lists.
Critics and publications who ranked the film first for that year included Richard Roeper of the Chicago Sun-Times , Kenneth Turan of the Los Angeles Times tied with The Social Network and Toy Story 3 , Tasha Robinson of The A.
Club , Empire magazine, and Kirk Honeycutt of The Hollywood Reporter. In March , the film was voted by BBC Radio 1 and BBC Radio 1Xtra listeners as their ninth-favorite film of all time.
In , Inception was ranked the 35th-best-edited film of all time by the Motion Picture Editors Guild. In April , The Daily Telegraph placed the title on its top ten list of the most overrated films.
Telegraph ' s Tim Robey stated, "It's a criminal failing of the movie that it purports to be about people's dreams being invaded, but demonstrates no instinct at all for what a dream has ever felt like, and no flair for making us feel like we're in one, at any point.
The film won many awards in technical categories, such as Academy Awards for Best Cinematography , Best Sound Editing , Best Sound Mixing , and Best Visual Effects ,  and the British Academy Film Awards for Best Production Design , Best Special Visual Effects and Best Sound.
Numerous pop and hip hop songs reference the film, including Common 's "Blue Sky," N. B 's " Strange Clouds ," while T. An instrumental track by Joe Budden is titled "Inception.
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