Dogtooth (Kynodontas). Spielfilm von Yorgos Lanthimos mit Christos Stergioglou, Michele Valley, Angeliki Papoulia, Hristos Passalis, Mary Tsoni, Anna. Dogtooth. ()IMDb 7,31 Std. 32 Min Abgeschottet von der Außenwelt werden die Töchter und der Sohn ganz im Sinne der reichen Eltern erzogen. Abgeschottet von der Außenwelt werden die beiden Töchter und der Sohn ganz im Sinne der reichen Eltern erzogen. Den Pubertierenden wird dabei ein verqueres Weltbild voller Lügengeschichten vermittelt: Die Welt hinter der Gartenhecke ist angeblich.
Dogtooth (Kynodontas)Mit seinem Psycho-Drama „Dogtooth" treibt der griechische Filmemacher Giorgos Lanthimos das fürchterliche Szenario auf die Spitze und liefert ein sperriges. Wool Blend Dogtooth Jacket. NA-KD Trend, Beige. 88,95 EUR. Größe auswählen. In Den Warenkorb. Versand nach Deutschland in Tagen. Dogtooth (Kynodontas). Spielfilm von Yorgos Lanthimos mit Christos Stergioglou, Michele Valley, Angeliki Papoulia, Hristos Passalis, Mary Tsoni, Anna.
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Dann auf Zum Home-Bildschirm (Home-Screen) tippen, aber nur mit der Geschwindigkeit 16kbs Dogtooth nur Rtl Live Fernsehen ein Nur Ein Sommer pro Download. - KynodontasSexuelle Frustration und aufgestaute Aggression brechen sich Bahn in perversen Gewaltausbrüchen, die sich keineswegs nur gegen arglose Stubentiger Zdf Life. Abgeschottet von der Außenwelt werden die beiden Töchter und der Sohn ganz im Sinne der reichen Eltern erzogen. Den Pubertierenden wird dabei ein verqueres Weltbild voller Lügengeschichten vermittelt: Die Welt hinter der Gartenhecke ist angeblich. Dogtooth (Originaltitel: griechisch Κυνόδοντας Kynodontas; Alternativtitel: Hundszahn) ist ein griechischer Spielfilm von Giorgos Lanthimos aus dem Jahr Dogtooth. ()IMDb 7,31 Std. 32 Min Abgeschottet von der Außenwelt werden die Töchter und der Sohn ganz im Sinne der reichen Eltern erzogen. Mit seinem Psycho-Drama „Dogtooth" treibt der griechische Filmemacher Giorgos Lanthimos das fürchterliche Szenario auf die Spitze und liefert ein sperriges.
Yet even here reality will intrude. Pressed for the meaning of "pussy", which the children have found written on one of their parents' private stash of videocassettes, the mother blurts out that it means "a big light", and incautiously rushes to demonstrate its use: "The pussy is switched off and the house is plunged into darkness.
The humour is not entirely cruel, or alienated. At one stage, the son tells the family over one of their meals that they have run out of black tint for his eyebrows, and that he can't use blue tint — because that would be unnatural.
The line delivers something unavailable in Haneke: a big laugh. The film is superbly shot, with some deadpan, elegant compositions, and intentionally skewiff framings of the "headless" variety that Lucrecia Martel used in her film The Headless Woman, imbibing both the sociopathy of the characters and, at one remove, the reality-TV surveillance aesthetic of the Big Brother house.
Lanthimos holds your attention with wonderfully inscrutable images, such as trees dappled with Hockneyesque sunlight from the swimming pool.
This woman also trades a daughter some cheap jewelry in trade for some illicit licking. The kids are so innocent, they decide that it's much the same no matter where you lick, and trade favors for licking legs, elbows and ears.
Sex seems to have no meaning, not even when incest is suggested. The sickness of this family surpasses all understanding, and some have even described the film as a comedy.
I wasn't laughing. All I can say of the ending is that it is certainly a possible outcome of the film, and gets much more than you would think out of a shot of the family car.
There is this. You cannot look away. The Greek director Yorgos Lanthimos tells his story with complete command of visuals and performances. His cinematography is like a series of family photographs of a family with something wrong with it.
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How did you buy your ticket? View All Photos Movie Info. A controlling, manipulative father Christos Stergioglou locks his three adult offspring in a state of perpetual childhood by keeping them prisoner within the sprawling family compound.
The children are bored to tears in spite of distractions like Christina Anna Kalaitzidou , an employee of their father's who makes regular visits to sexually service the son Hristos Passalis.
Increasingly curious about the outside world, the older daughter Aggeliki Papoulia hatches a plan to escape. Yorgos Lanthimos. Yorgos Tsourgiannis , Giorgos Tsourianis.
Efthymis Filippou , Yorgos Lanthimos. Aug 10, Greek Film Center, Horsefly Productions, Boo Productions. Christos Stergioglou Father.
Michelle Valley Mother. Aggeliki Papoulia Older Daughter. Mary Tsoni Younger Daughter. Hristos Passalis Son. Anna Kalaitzidou Christina. Alexander Voulgaris Dog Trainer.
Yorgos Lanthimos Director. Efthymis Filippou Screenwriter. Yorgos Lanthimos Screenwriter. Iraklis Mavroidis Executive Producer.
Yorgos Tsourgiannis Producer. Giorgos Tsourianis Producer. Thimios Bakatatakis Cinematographer.
Yorgos Lanthimos Film Editor. Christina Akzoti Casting. Alex Kelly Casting. Free Movies Online: Fresh Movies to Watch Online For Free.
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What links here Related changes Upload file Special pages Permanent link Page information Cite this page Wikidata item. The father visits a dog training facility and demands to have his dog returned.
The trainer refuses because the dog has not finished its training, and asks: "Do we want an animal or a friend? When the children are terrified by a stray cat in the garden, the son kills it with a pair of pruning shears.
Deciding to take advantage of the incident, the father shreds his clothes, covers himself in fake blood, and tells his children that their unseen brother was killed by a cat, the most dangerous creature.
After he teaches them to bark on all fours to fend off cats, the family holds a memorial service for the brother. Christina again barters for oral sex from the elder daughter.
The daughter rejects her offer of hair gel and demands the Hollywood film tapes in her bag. She watches the films in secret and afterwards recreates scenes and quotes their dialogue.
When the father discovers the tapes, he beats her with one of them, then goes to Christina's flat and hits her with her VCR, cursing her future children to be corrupted by "bad influences".
The parents decide that, with Christina no longer available, they will have the son choose one of his sisters as a new sexual partner.
After fondling both sisters with his eyes closed, he chooses the elder. She is uncomfortable during their sex and afterwards recites threatening dialogue from the Hollywood film to her brother.
During a dance performance for the parents' wedding anniversary, the younger daughter stops to rest, but the elder continues and dances the choreography from the film Flashdance , disturbing her parents.
That night, she knocks out one of her dogteeth with a dumbbell and hides in the boot of her father's car. The father discovers her tooth fragments and searches for her fruitlessly.
He drives to work the next day; the car sits outside the factory, unattended. Mary Tsoni was not a professional actress, but a singer in a punk band.
It wasn't until the rehearsals started that he began to develop an idea of the style in which the film should be shot: one where he tried to combine a realistic environment with "really strict framing and a cool, surreal look to go with the narrative".
The film premiered on 18 May at the Cannes Film Festival ,  and went on to screen within such festivals as Toronto International Film Festival and Maryland Film Festival.
It was released in Greece on 11 November the same year through Feelgood Entertainment. In its home country, Greek critic Dimitris Danikas gave the film a rating of eight out of ten "with enthusiasm" and characterizes it as "black, surreal, nightmarish.
Hence the aphasia ; hence the uniformity; hence the submission and the scheduled mass culture; hence also the serial killer; hence, however, the disobedience, the anarchy.
The site's consensus reads: "It'll be too disturbing -- and meandering -- for some, but Dogtooth is as disturbing and startlingly original as modern filmmaking gets".
The Scotsman ' s Alistair Harkness hailed director Lanthimos as "a bold new voice on the world cinema scene, someone who might soon be elevated to a similar position as those twin pillars of Euro provocation: Lars von Trier and Michael Haneke ," although the film is "not Peter Bradshaw of The Guardian praised the filmmakers' technique, finding it "superbly shot, with some deadpan, elegant compositions, and intentionally skewiff framings".
He noted the director's "complete command of visuals and performances. His cinematography is like a series of family photographs of a family with something wrong with it.
His dialogue sounds composed entirely of sentences memorized from tourist phrase books.